[MASTERCLASS] Fiber Values: Understanding Classifications of Natural Fibers beyond Monoculture

27 Jun 28 Jun 2025

Working with a variety of fibers in biomaterial production

When we look into more diverse fields and ecosystem approaches, we are forced to look into resources as unpredictable and diverse. There is no monoculture biomass resource available in these cases, so on what terms do we make classifications? Let's try to look into various forms of fiber lengths to classify our resources.


What to expect?

This masterclass opens up the knowledge of fibers and bio production based on the qualitative attributes of fibers from different origins.

Next, we dive into the production of materials based on long and short fibers. Composite versus filaments. Solid versus flexible. Biodegradability versus strength.

And what if we prospect a field based on a mapping that covers species, but also energy, installations and human and non-human interaction? We deduct our production process from what is available and locally sourced.

We learn about attributes and effects of production, binders, diversifying of fibers and open source production manners.


Program

The masterclass of 2 days holds 4 workshops. Jesse Howard, our project lead for Critical Biomass, will lead participants through this two-day experience.

Methodological framework introduction


(detailed workshop descriptions will be published soon)

Exploring long fibers with Anneleen Bertels 


Knotting Fibers Together / Knotting Many Loose Threads Together


During this masterclass Anneleen Bertels will take you on a journey through Japanese banana fibers, knotting and ropemaking techniques.

Anneleen conducted a 3 months research in Japan in 2023 on textile crafts of Bashofu, Kurume Kasuri and other Japanese natural fibers. Both in Bashofu textiles and Kasuri textiles, knotting techniques are applied on the fibers and are essential for the particular outcome of the woven textiles.

Bashōfu is a representative Okinawan textile made from the natural fibers of the ito-basho plant (family of the bananatree), which is found mainly in the subtropics.

Sōetsu Yanagi, Japanese art critic and founder of the mingei (folk craft) movement in Japan, praised Bashōfu for being one of the most sublime natural fabrics because the practice of dyeing, weaving, and agriculture act as one.

After extracting the fibers from the stalks, they are joined together with a weaver’s knot to make one continuous thread. The beauty of the woven textile is expressed through the multiple knots that are necessary to join the individual fibers. They create a refined and particular texture.

During this masterclass we will look into the making process of banana fibers and take inspiration to apply the same knotting technique on other local natural fibers. Or what if we invent new knotting techniques? And how could we connect leftover fibers together, to then create ropes? 

 

Exploring medium fibers with Barbara Mydlak


The Future of Paper Made From Plant Waste

This workshop introduces participants to the fundamentals of hand papermaking using plant-based fibers. It focuses on the selection of appropriate fiber types for various artistic and design applications, highlighting their structural, aesthetic, and ecological properties.
Participants will learn how to process plant waste (e.g., stems, leaves, bark) into pulp suitable for papermaking. Preparation techniques including: soaking, cooking, and beating of fibers and safe handling of potentially toxic plant species during processing.
The workshop also covers topics such as the retention of pigment in plant material, optimal storage conditions for preserving handmade paper from different fiber sources (humidity, light, temperature, pH). Comparative biodegradability and longevity of papers depending on plant species and processing method, as well as the role of handmade paper in sustainable art, design and long-term material resilience.
Designed for anyone interested in sustainable practices, artists, designers, and researchers. The workshop bridges traditional crafts, material science with creative practice.
Please note: As the papermaking process involves working with water, participants are kindly requested to wear appropriate work clothing, disposable gloves and waterproof aprons.

 

Exploring short fibers with Mahe Plancke


(detailed workshop descriptions will be published soon)

 


Practical info

  • Date: 27-28 juli 2025

  • Time: 09:00 – 17:00

  • Location: Timelab, Kogelstraat 34, 9000 Gent

  • Fee: 800 euro (incl VAT, incl food)

  • Language: Dutch & English

  • Lunch: 2 x lunch, 1x dinner (available at the Eatery)

  • Registration mandatory


Who is it for?

Professionals and anyone who is interested in working with biomaterial in design. Knowledge of biochemical, industrial processes of design and production methods will come in handy, but is not a must.

 

27 Jun 28 Jun
9:30 - 17:00
Reshaping Industry
Betalend